Whatever Lola Wants

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Whatever Lola Wants - A Deep Dive into the Damn Yankees Signature Song

By: Zadie Knapp and Leslie Simon

“Whatever Lola Wants (Lola Gets)” from the Tony Award-winning musical Damn Yankees is a sultry, catchy tune famous for its unapologetic attitude and jazz-fueled beat. While you may know the melody well from the Broadway musical, film version, or many TV commercials, you may not know about the song’s unlikely origin and star-studded history. 

The saying “Whatever Lola wants, Lola gets” was originally inspired by Marie Dolores Eliza Rosanna Gilbert, better known by her stage name Lola Montez. She was an Irish dancer and actress who became famous as a courtesan, seen by the sides of famed men such as Hungarian composer Franz Liszt, and King Ludwig I of Bavaria. With various scandals in her wake, Lola fled to San Francisco and became one of the most talked about and wicked women of her time. Audiences flocked to see her perform, with tickets costing up to $65 - a very hefty sum for the time. 

Her most famous act was “the Spider Dance” where she acted as if a spider was in her petticoat, and kicked her legs higher and higher to try to get the spiders out. It is said that sometimes she wore nothing under her skirt, and scandalous twists like this kept her a popular entertainer until her early death at 39.

Richard Adler and Jerry Ross adapted the mischievous saying for the signature song of vampy Lola in their classic musical Damn Yankees. The song has since become legendary, and has been adapted by many incredible artists. The original 1955 Broadway production and movie features Gwen Verdon as Lola in a campy yet effortlessly sultry performance, choreographed by the famous Bob Fosse.

Fosse and Verdon met for the first time during the Broadway production, fell in love and were married by 1960, and became a powerhouse couple in the worlds of Hollywood and dance, with Gwen Verdon even teaching Marilyn Monroe and Jane Russell choreography for the 1953 film Gentlemen Prefer Blondes

As the song continued to grow in popularity, and Damn Yankees entered a long stint on Broadway, Sarah Vaughan released a widely popular version in 1956 which peaked at #5 on the Billboard charts. She brought a sophisticated style to the song that hadn’t been heard before.

In 1963, the world-famous jazz singer Ella Fitzgerald released an intense, swing-oriented rendition of “Whatever Lola Wants” on her album Ella Sings Broadway. Fitzgerald makes use of the playful lyrics in a version you can’t help but dance along with.

An interesting rendition in 1957 was Carmen McRae with her version that features the Dave Lambert Quartet. This version is famous for its addition of Latin drums and a slowed-down tempo. The introduction of a men’s part into the song adds a fresh and complex feel.

Every one of these versions has a unique styling and feel that keeps the character of Lola ever-evolving. From big-band jazz to Latin drums, “Whatever Lola Wants” continues to be a culturally important song that can get dangerously stuck in your brain.  

And now, the Arvada Center invites you to hear Adriane Leigh Robinson present her own rendition of the famous song in the upcoming production of Damn Yankees! The devilishly classic musical opens April 7 and runs through May 7, tickets start at $53. Get your tickets today.

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Costume design and rendering by Clare Henkel.

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