97.3 KBCO and Nobody In Particular Presents along with The Arvada Center is proud to present
September 7, 2011
Concert Starts at 7:30pm
Outdoor Amphitheater Gates open at 6:30 p.m.
Ticket Prices: Covered Seating $35; Lawn $35
Gillian Welch is an American singer-songwriter. She performs with her musical partner, guitarist Dave Rawlings. Their sparse and dark musical style, which combines elements of Appalachian music, Bluegrass, and Americana, is described by The New Yorker as “at once innovative and obliquely reminiscent of past rural forms”.
Welch and Rawlings have released five critically acclaimed albums. Their 1996 debut, Revival, and the 2001 release Time (The Revelator), received nominations for the Grammy Award for Best Contemporary Folk Album. Their 2003 album, Soul Journey, introduced electric guitar, drums and a more upbeat sound to their body of work. After a gap of eight years, they released their fifth studio album, The Harrow & The Harvest, in 2011.
Welch was an associate producer and performed on two songs of the O Brother, Where Art Thou? soundtrack, a platinum album that won the Grammy Award for Album of the Year in 2002. Welch has collaborated and recorded with distinguished musicians such as Alison Krauss, Ryan Adams, Jay Farrar, Emmylou Harris, The Decemberists, and Ani DiFranco. Welch and Rawlings perform at many music festivals.
Welch and Rawlings incorporate elements of early twentieth century music such as old time, classic country, gospel and traditional bluegrass with modern elements of rhythm and blues, rock ‘n’ roll, jazz, and punk rock. The New Yorker‘s Alec Wilkinson maintained their musical style is “not easily classifiedâ€”it is at once innovative and obliquely reminiscent of past rural forms”.
The instrumentation on their songs is usually a simple arrangement, with Welch and Rawlings accompanying their own vocals with acoustic guitars, banjos, or a mandolin. Welch plays rhythm guitar with a 1956 Gibson J-50 (or banjo), while Rawlings plays lead on a 1935 Epiphone Olympic Guitar. The New Yorker‘s Wilkinson described Rawlings as a “strikingly inventive guitarist” who plays solos that are “daring melodic leaps”. A review in No Depression by Andy Moore observed that “he [Rawlings] doesn’t play his big, coffee-colored, hollow body Gibson so much as he squeezes, strokes, chokes and does just about everything but blow into it”. Jamie Cowperthwait of Rolling Stone wrote that Rawlings’ guitar playing “makes the music swell and vibrate at all the right moments.”