Travel back to the time of the cultural hotbed that was the Harlem Renaissance – the music was swinging, bands were big, and the jazz scene continued to rise in popularity and influence. A funny and heartfelt look at love, Trav’lin – The 1930s Harlem Musical rediscovers the music of prolific songwriter J.C. Johnson in a story about love, set in Harlem when the culture defined cool and the scene was hot. We spoke to Gary Holmes, Co-Bookwriter of Trav’lin, about his inspirations, J.C.’s music, and the journey this musical has taken since the beginning of its creation.
Q: The Arvada Center is excited to produce the regional premiere of Trav’lin – The 1930s Harlem Musical. Why do you think this story set in Harlem during the Harlem Renaissance is so appealing and resonates with audiences outside of Harlem?
A: TRAV’LIN is a story about LOVE. That is what J.C. Johnson wrote mostly about and was the main factor in my determining what tales TRAV’LIN would tell. The show delves humorously into the follies of love and then digs deep into the hurt that love can be. And those foibles and hurts go beyond a time and a place. The three couples of TRAV’LIN represent three different stages and aspects of love, with all of them are trying to figure what it’s all about! Add to that the energy and raw feeling of the music and era underlying it all and….
Q: It is almost one hundred years since the setting of Trav’lin took place. What is it about the songs of J.C. Johnson that make them so timeless, and why do they still resonate with audiences so strongly?
A: J.C. wrote very simply and directly. His lyrics go right to the core of whatever emotion the song required. And if he was just composing the music, as he often did, he had the ability to exactly match the tone of the lyrics, whether it be a big band, jazz or blues beat. He often said he learned his craft on the streets. I believe that’s where his got his ability to hone in on what the tune or lyric was about, and go right there. No flowery words or heavily intricate tunes. And he really knew how to write a tune!
Q: How has the musical grown and evolved since its debut at the New York Musical Festival?
A: I started developing the show while I was at the Dramatic Writing Department at Tisch. The basic structure, plot and characters in the show were pretty much set back then and are essentially the same to this day.
The New York Musical Festival experience was great. NOTHING helps you figure out what needs to be done with a show more than putting it up in front of an audience not made up of friends and relatives, and having it done with excellent actors and crew. This describes the presentation at the New York Musical Theater Festival, which was extremely well received. And while the basic structure, character and plots have stayed constant since the show was first conceived, that and succeeding productions have shown and allowed us to refine and deepen the show to balance out the lighter and more serious parts. We even changed some of the characters’ intentions and foibles.
We have been blessed to see several sets of excellent actors do full productions of the show – and each production and each actor has brought new revelations. Some were like “How did we NOT see that flaw in the writing before” to “Wow, that actor really opened up other possibilities. Let’s think about that and expand on it!” And we know that the wonderful actors at Arvada (under Rod’s direction) will teach us even more!
Q: What was the most important lesson you learned from your mentor, J.C. Johnson?
A: OH, this is easy! Respect your fellow human being and don’t be too quick to judge. Also, he enjoyed the little things in life, he noticed the little things in life – and he respected them, which is what made him such a good creator and person. One interviewer of J.C. wrote about him: “He was a gentle flower of a man.” And he was.
Q: What do you hope Arvada Center patrons take away from the musical?
A: I certainly hope they are entertained and enjoy the songs and characters’ roller coaster ride, but I also hope they are touched by J.C.’s music and his message about love. And while TRAV’LIN is anything but a history lesson, I hope the music and stories encourage folks to be open to discovering more about J.C. and the amazing place Harlem was (and is) and that era and the everyday folks who lived it.
Trav’lin – The 1930s Harlem Musical closes this Sunday, April 28.